John Amis online

Monday, September 11, 2006

Myth Conception

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Opera it ain’t. But it contains marvels of staging; tech doesn’t get any higher. It is Gaddafi: A Living Myth , given a short run by English...
Tuesday, July 04, 2006

Private Passions (Radio 3) Telegraph review

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On radio: good company is what makes great radio Presenters who make you listen, rather than just hear, are the key to successful programm...
Thursday, May 18, 2006

John Amis

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Monday, December 19, 2005

Sweet singing in the choir (From The Tablet's Christmas edition 2005)

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My friend from Johannesburg loves what Thomas Hardy called ‘the ancient stave’, choral music of the medieval and renaissance era. When she’s...
Wednesday, October 17, 2001

amispic

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Pix

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John Amis
Six weeks in a bank was enough for him to decide to live by and with music. Selling records and writing about them for a high-class gramophone shop, working with London Philharmonic, Symphony and Royal Philharmonic, organising concerts for Myra Hess at the National Gallery and for Michael Tippett whose secretary-dogsbody and friend he was, concert manager for Beecham, music critic for The Scotsman, organiser of the Summer School of Music with William Glock at Bryanston and Dartington for 34 years, broadcaster on radio and TV for 40, during which time he interviewed some 500 of the most famous and interesting musicians, Hindemith to Bernstein, Cage to Swann, Stravinsky to Stockhausen. He has narrated parts in Façade, Peter and the Wolf, Enoch Arden and Babar the Elephant. For his 70th birthday made a CD with friends Leslie Howard, Steve Race, Malcolm Arnold, Donald Swann, Jeffrey Tate and Ian Wallace. His books include an autobiography Amiscellany, an anthology Words about Music and My Life in Music 1945 – 2000, A Photographer at the Aldeburgh Festival (Nigel Luckhurst) and Musicians on Camera (Lelia Goehr).
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