John Amis online

Saturday, November 14, 2009

GHOSTS, FROTH and BREEZE BLOCKS

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Wexford Festival 2009 – late October Emmanuel Chabrier 1841 – 1893 had a short career, has a short list of works but a big reputation with h...
1 comment:
Thursday, October 22, 2009

A CARMEN PRODUCTION TO RELISH

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Brahms and Tchaikovsky agreed only on one thing: they both adored Carmen . The new production of Bizet’s evergreen masterpiece at Covent Gar...
Tuesday, October 20, 2009

FLUTE

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FLUTE Richard Adeney Brimstone Press (PO Box 114, Shaftsbury SP7 8XN) £12.50, p.222 If the performance is routine, perhaps with a duff condu...
Thursday, October 15, 2009

TRISTE TRISTAN

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A musical opinion on the latest production of Wagner’s Tristan and Isolde in the Royal Opera House, Covent Garden (October 5) would have to...

LE GRANDE MACABRE

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LIGETI ’S SCABROUS OPERA The last thing we see in this new production of Ligeti’s opera by English National Opera in the London Coliseum, f...
Friday, October 02, 2009

A WELCOME DAMNATION

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Traditionally the Devil has all the best tunes, but in Berlioz’ The Damnation of Faust the tenor has some good ones and Marguérite has some...
2 comments:
Thursday, September 17, 2009

A MODERN MAGIC FLUTE

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A Concert of charm, spice and virtuosity St. James in Piccadilly is the only Wren Church built on an original site – consecrated 1684. Wren ...
Wednesday, September 09, 2009

WAGNER’S VOCAL WRITING

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Bread and Jam Rossini once exclaimed how wonderful opera would be if there were no singers, a thought that came to me forcibly when sitting ...

A FAITHFUL FIDELIO

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Professor Barry Cooper in his Prom programme note gives an assessment of his character somewhat different from the usual one of a man irasci...
Monday, August 17, 2009

FIGARO MARRIES IN HAMPSHIRE

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It is good that music is once more a social affair. Not perhaps to the extent of music-making in the home, as was once the custom. Nowadays ...
Tuesday, August 11, 2009

KAT’A HOLLAND PARKOVA

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Mark Twain once said that a Wagner opera started at six o’clock and when it had been going for two and a half hours your watch said twenty t...

PURCELL FAIRY QUEEN

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Jolly Good Show Purcell’s The Fairy Queen is usually described as a semi-opera in a Prologue and five acts, libretto by anon, an adaptation...
Tuesday, July 21, 2009

YOUNG ARTISTS AT THE GARDEN

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I went to the Summer Programme of the Jette Parker Young Artists Programme in the Royal Opera House on Sunday afternoon 9 July. I was expect...
Friday, July 10, 2009

ALDEBURGH AT THE FRENCH ROUNDABOUT

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When Pierre-Laurent Aimard, the new director of the Aldeburgh Festival was asked by a journalist what his reaction to the music of Benjamin ...
1 comment:
Friday, July 03, 2009

NORMA AT THE GRANGE

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Bellini not all Dreamy When thinking of Norma most of us remember dreamy music, as in the aria Casta Diva , the nocturne-like spell suppose...
Sunday, June 14, 2009

ELIOGABALO

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Cavalli in Hampshire First performance in England (Grange Park Opera, June 6) of one of forty or so operas by Cavalli. Who he? Pier Francesc...
1 comment:
Tuesday, June 09, 2009

A SEXLESS LULU

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There was booing at the close of Covent Garden’s latest new production Alban Berg’s opera Lulu , provoked by a staging that was a no-no, no ...
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DONZETTI IN INGHILTERRA AND HOLLAND PARK

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Donizetti had obsessions. Including one with the United Kingdom? Beside Roberto Devereux, which opened the Holland Park Opera season in Lond...
1 comment:
Friday, May 01, 2009

MAAZEL HITS THE ANVIL

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In case you live anywhere near Basingstoke and haven’t yet visited the Anvil Concert Hall (opened 1994) let me wave a flag for it. First –cl...
Friday, April 17, 2009

A TAKE ON HANDEL’S ALESSANDRO

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If that great expert on Handel’s operas, Winton Dean, took three large pages to explain the plot of the Master’s 1726 Alessandro , your scri...
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About Me

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John Amis
Six weeks in a bank was enough for him to decide to live by and with music. Selling records and writing about them for a high-class gramophone shop, working with London Philharmonic, Symphony and Royal Philharmonic, organising concerts for Myra Hess at the National Gallery and for Michael Tippett whose secretary-dogsbody and friend he was, concert manager for Beecham, music critic for The Scotsman, organiser of the Summer School of Music with William Glock at Bryanston and Dartington for 34 years, broadcaster on radio and TV for 40, during which time he interviewed some 500 of the most famous and interesting musicians, Hindemith to Bernstein, Cage to Swann, Stravinsky to Stockhausen. He has narrated parts in Façade, Peter and the Wolf, Enoch Arden and Babar the Elephant. For his 70th birthday made a CD with friends Leslie Howard, Steve Race, Malcolm Arnold, Donald Swann, Jeffrey Tate and Ian Wallace. His books include an autobiography Amiscellany, an anthology Words about Music and My Life in Music 1945 – 2000, A Photographer at the Aldeburgh Festival (Nigel Luckhurst) and Musicians on Camera (Lelia Goehr).
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