John Amis online

Friday, May 28, 2010

A BUDD THAT HAS BLOOMED

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Engaging a director and a set designer to make their operatic débuts at Glyndebourne sounds like folly; and when that opera is as difficult ...
4 comments:
Wednesday, May 12, 2010

AIDA

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Grandest of the grand Rossini said: “Nobody is capable of writing grand opera except Verdi”: and Aida is the grandest of the lot. Intended ...

THREE SYMPHONIES

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Myaskovsky, Copland and Liszt Thats not a bad harvest for the latter half of a single week in London April 29, 30 and May 1, the middle symp...
Wednesday, April 28, 2010

FERRIER AWARDS 2010

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Somehow the Wigmore Hall atmosphere is always sympathatic during the annual Ferrier Awards, people come every year and there is friendly sup...
Monday, April 26, 2010

ROSSINI’S TURKISH DELIGHT

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Prodigies? Well, there’s Mozart of course, Mendelssohn challenging Shakespeare, Saint-Saéns with 32 sonatas under his pianistic belt, the in...

VARÈSE

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Still a Modern Pioneer Of famous composers only Webern left fewer compositions, just twelve, all played during a mini-festival devoted to Ed...

JULIAN BREAM – MASTER OF THE FRETS

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He was a lad in his early teens when I first met Julian Bream. He was born in Battersea and he sounded like it; he kept his cockney accent a...
1 comment:
Sunday, March 28, 2010

BARTOK’S RELINQUISHMENT

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After his early days when Debussy and Richard Strauss were considerable influences on his music, especially in the opera Bluebeard’s Castle ...
Friday, March 19, 2010

LIFE ENHANCING JANACEK

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Catharsis is the word, the release of strong emotions. That definition fits the music of Janacek. Yet until the fifties we knew it not. The ...
1 comment:

AN EVENING OF CHOPIN

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Jacqueline du Pré is remembered in the Wigmore Hall by an annual charity concert; this year’s took place on March 9 and was devoted to the m...
Wednesday, December 23, 2009

MESSIAH TREADS THE BOARDS

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First impressions not good; action during the overture; first chorus, stage filled with a bed, nurses, benches, laptops and a woman ironing....
1 comment:

A SCHOOL’S MUSIC

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Dulwich College in Town My old school gave its Winter Concert on Monday 30 November in St. John’s Smith Square. As usual, there was a big pa...
Wednesday, December 02, 2009

HOWARD’S BEETHOVEN END

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“Music is the mediator between intellectual and sensuous life” Beethoven (1810) The prize for the performance of the year should surel...

HANS VAN BÜLOW

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HANS VAN BÜLOW A life and Times Alan Walker Pp 510, many illustrations price £30 What a man, what a musician, what a life! And what an enthr...

PURCELL IN HIS ABBEY HOME

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350th Anniversary A celebration of the music of Henry Purcell was held in Westminster Abbey on 28 November (Princess Alexandra was in the au...
Saturday, November 14, 2009

GHOSTS, FROTH and BREEZE BLOCKS

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Wexford Festival 2009 – late October Emmanuel Chabrier 1841 – 1893 had a short career, has a short list of works but a big reputation with h...
1 comment:
Thursday, October 22, 2009

A CARMEN PRODUCTION TO RELISH

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Brahms and Tchaikovsky agreed only on one thing: they both adored Carmen . The new production of Bizet’s evergreen masterpiece at Covent Gar...
Tuesday, October 20, 2009

FLUTE

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FLUTE Richard Adeney Brimstone Press (PO Box 114, Shaftsbury SP7 8XN) £12.50, p.222 If the performance is routine, perhaps with a duff condu...
Thursday, October 15, 2009

TRISTE TRISTAN

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A musical opinion on the latest production of Wagner’s Tristan and Isolde in the Royal Opera House, Covent Garden (October 5) would have to...

LE GRANDE MACABRE

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LIGETI ’S SCABROUS OPERA The last thing we see in this new production of Ligeti’s opera by English National Opera in the London Coliseum, f...
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About Me

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John Amis
Six weeks in a bank was enough for him to decide to live by and with music. Selling records and writing about them for a high-class gramophone shop, working with London Philharmonic, Symphony and Royal Philharmonic, organising concerts for Myra Hess at the National Gallery and for Michael Tippett whose secretary-dogsbody and friend he was, concert manager for Beecham, music critic for The Scotsman, organiser of the Summer School of Music with William Glock at Bryanston and Dartington for 34 years, broadcaster on radio and TV for 40, during which time he interviewed some 500 of the most famous and interesting musicians, Hindemith to Bernstein, Cage to Swann, Stravinsky to Stockhausen. He has narrated parts in Façade, Peter and the Wolf, Enoch Arden and Babar the Elephant. For his 70th birthday made a CD with friends Leslie Howard, Steve Race, Malcolm Arnold, Donald Swann, Jeffrey Tate and Ian Wallace. His books include an autobiography Amiscellany, an anthology Words about Music and My Life in Music 1945 – 2000, A Photographer at the Aldeburgh Festival (Nigel Luckhurst) and Musicians on Camera (Lelia Goehr).
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