John Amis online

Thursday, August 26, 2010

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WIERD AND WONDERFUL News from the Var Can you imagine anything stranger than a string quartet transcription of Mozart’s Requiem , K. 626? Pe...

A QUESTIONABLE DON GIOVANNI

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If Socrates had been in my seat at Glyndebourne on 18 August it is possible that he might, as was his wont, have wanted to ask a few questio...

CORAL BROWN(E)

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Born Melbourne 1913, Australian, but not always proud of it. Latterly added an e to her name( it helped her career somewhat). Brown was a fr...

Buxton Festival

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Richard Strauss once said that he couldn't write about Mozart; he could only worship him but in 1931 he made an edition of one of his go...
Monday, July 26, 2010

STRAUSS’S LAST FLING - CAPRICCIO

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Richard Strauss’s last fling at opera was premiered in the dark time in 1942 in Munich, when Germany was in distress and was still causing d...

MANON? * MAIS OUI!

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Covent Garden is on a high forgetting the daft Aida there have been three outright winners in Turco in Italia , La Fille du Regiment and n...
Wednesday, July 14, 2010

John Amis

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New photograph of John for his 88th birthday.
Tuesday, July 06, 2010

PASSIONATE SHABBINESS

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“Shabby little shocker” was the famous put-down by an American critic, a view not shared by the thousands that enjoy Puccini’s Tosca every ...

GRANGE ORANGES

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Prokofiev was thirty when his opera The Love for Three Oranges was premiered in Chicago at the end of 1931. So it was not the youngest Prkf...
Friday, May 28, 2010

A BUDD THAT HAS BLOOMED

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Engaging a director and a set designer to make their operatic débuts at Glyndebourne sounds like folly; and when that opera is as difficult ...
4 comments:
Wednesday, May 12, 2010

AIDA

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Grandest of the grand Rossini said: “Nobody is capable of writing grand opera except Verdi”: and Aida is the grandest of the lot. Intended ...

THREE SYMPHONIES

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Myaskovsky, Copland and Liszt Thats not a bad harvest for the latter half of a single week in London April 29, 30 and May 1, the middle symp...
Wednesday, April 28, 2010

FERRIER AWARDS 2010

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Somehow the Wigmore Hall atmosphere is always sympathatic during the annual Ferrier Awards, people come every year and there is friendly sup...
Monday, April 26, 2010

ROSSINI’S TURKISH DELIGHT

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Prodigies? Well, there’s Mozart of course, Mendelssohn challenging Shakespeare, Saint-Saéns with 32 sonatas under his pianistic belt, the in...

VARÈSE

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Still a Modern Pioneer Of famous composers only Webern left fewer compositions, just twelve, all played during a mini-festival devoted to Ed...

JULIAN BREAM – MASTER OF THE FRETS

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He was a lad in his early teens when I first met Julian Bream. He was born in Battersea and he sounded like it; he kept his cockney accent a...
1 comment:
Sunday, March 28, 2010

BARTOK’S RELINQUISHMENT

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After his early days when Debussy and Richard Strauss were considerable influences on his music, especially in the opera Bluebeard’s Castle ...
Friday, March 19, 2010

LIFE ENHANCING JANACEK

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Catharsis is the word, the release of strong emotions. That definition fits the music of Janacek. Yet until the fifties we knew it not. The ...
1 comment:

AN EVENING OF CHOPIN

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Jacqueline du Pré is remembered in the Wigmore Hall by an annual charity concert; this year’s took place on March 9 and was devoted to the m...
Wednesday, December 23, 2009

MESSIAH TREADS THE BOARDS

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First impressions not good; action during the overture; first chorus, stage filled with a bed, nurses, benches, laptops and a woman ironing....
1 comment:
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About Me

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John Amis
Six weeks in a bank was enough for him to decide to live by and with music. Selling records and writing about them for a high-class gramophone shop, working with London Philharmonic, Symphony and Royal Philharmonic, organising concerts for Myra Hess at the National Gallery and for Michael Tippett whose secretary-dogsbody and friend he was, concert manager for Beecham, music critic for The Scotsman, organiser of the Summer School of Music with William Glock at Bryanston and Dartington for 34 years, broadcaster on radio and TV for 40, during which time he interviewed some 500 of the most famous and interesting musicians, Hindemith to Bernstein, Cage to Swann, Stravinsky to Stockhausen. He has narrated parts in Façade, Peter and the Wolf, Enoch Arden and Babar the Elephant. For his 70th birthday made a CD with friends Leslie Howard, Steve Race, Malcolm Arnold, Donald Swann, Jeffrey Tate and Ian Wallace. His books include an autobiography Amiscellany, an anthology Words about Music and My Life in Music 1945 – 2000, A Photographer at the Aldeburgh Festival (Nigel Luckhurst) and Musicians on Camera (Lelia Goehr).
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