John Amis online

Friday, December 31, 2010

ALL OR NOTHING

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Aimez-vous Prokofiev? Reader, do you find nowadays that some folk like everything that the famous composers write, a blanket hurrah for ever...
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TANNHÄUSER

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A Tenor Chairman Wagner tinkered with Tannhäuser after its premiere in 1845, making a new version in 1861 with subsequent emendations as lat...

GOLDEN OLDIE PIANIST

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Since Shura Cherkassky frisked about the keyboard in his eighties we are used to golden oldies and we hear that Methusaleh has booked the Wi...

THE NELSONS TOUCH

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A Hero’s Baton The programme of the Philharmonia’s concert in the Festival Hall, December 9, looked as if it was put together by a committee...

ENGLISH CHAMBER ORCHESTRA

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It was born the Goldsborough Orchestra in 1948 and re-christened the English Chamber Orchestra in 1960; the finest hours of its distinguishe...
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LEON MCCAULEY

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A Fine Piano Recital It is always a particular pleasure when an artist one has watched growing, achieves mastery. I knew Leon McCauley firs...

ADRIANA LECOUVREUR

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A Fringe Benefit Returns Cilea’s 1904 opera Adriana Lecouvreur was seen again 22 November, forsaking her 18th century Comédie Française sta...
Monday, November 29, 2010

WEXFORD FESTIVAL - 2010

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Operatic Rarities One for the head, one for the heart and one for fun seems to have been the watch word for Wexford for the last few decades...
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TAKÁS QUARTET

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Bliss was it Some like concerts by orchestra, some choral, others opera but for many of us a good concert by a string quartet is our idea of...
Monday, November 15, 2010

POOR DON GIOVANNI

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It is usually a sinister portent when there is stage business during the overture. So it proved on November 6, London Coliseum, for English ...

SIR CHARLES MACKERRAS

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A Conductor for All Seasons Charles Mackerras was a conductor for all seasons, certainly for four centuries of music, his range was extraord...

KENNEDY THE GREAT

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Vivaldi in Bulk Nigel Kennedy brought his Polish chamber orchestra for a short tour in November. Reports from the concert in Birmingham spok...
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WIGMORE THRALL

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Where can you go in London any day of the week and be sure of good music, good music-making, comfortable amenities, couple of bars and a res...
Tuesday, October 19, 2010

Joan Sutherland

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November 1926 – October 2010 When she first had her singing equipment examined by Ivor Griffiths, famous E.N.T. specialist, he declared he h...
Monday, October 04, 2010

WOT, NO SHOSI?

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If there were a prize for the most minimal set, it would undoubtedly go to the one seen in Pimlico Opera’s Madame Butterfly seen on Septemb...

DELECTABLE DONIZETTI

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In a mere quarter-of-a-century Gaetano Donizetti (1797 – 1848) managed to compose over sixty operas as well as a quantity of church music, s...
Tuesday, September 21, 2010

MILLER MATCHES MOZART

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The new season at Covent Garden opened on September 10 with a revival of Jonathan Miller's modern clothes 1995 production of Mozart'...
Tuesday, September 14, 2010

STEADY, MR BEETHOVEN THAT WAS YOUR FIFTH

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Headine borrowed from the writing of that wonderful humorist, the late Alan Coren. The occasion was a concert given on the last evening of ...

YOUTH AND OLD AGE

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In 1947 Ruth Railton founded the National Youth Orchestra. Many years later the Continent cottoned on to the idea. First, the European You...
Thursday, August 26, 2010

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WIERD AND WONDERFUL News from the Var Can you imagine anything stranger than a string quartet transcription of Mozart’s Requiem , K. 626? Pe...
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About Me

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John Amis
Six weeks in a bank was enough for him to decide to live by and with music. Selling records and writing about them for a high-class gramophone shop, working with London Philharmonic, Symphony and Royal Philharmonic, organising concerts for Myra Hess at the National Gallery and for Michael Tippett whose secretary-dogsbody and friend he was, concert manager for Beecham, music critic for The Scotsman, organiser of the Summer School of Music with William Glock at Bryanston and Dartington for 34 years, broadcaster on radio and TV for 40, during which time he interviewed some 500 of the most famous and interesting musicians, Hindemith to Bernstein, Cage to Swann, Stravinsky to Stockhausen. He has narrated parts in Façade, Peter and the Wolf, Enoch Arden and Babar the Elephant. For his 70th birthday made a CD with friends Leslie Howard, Steve Race, Malcolm Arnold, Donald Swann, Jeffrey Tate and Ian Wallace. His books include an autobiography Amiscellany, an anthology Words about Music and My Life in Music 1945 – 2000, A Photographer at the Aldeburgh Festival (Nigel Luckhurst) and Musicians on Camera (Lelia Goehr).
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