John Amis online

Saturday, April 23, 2011

RAVEL

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Roger Nicholls Yale, 430 pp Our foremost expert on French music in general and Ravel in particular, here has written a third book on the com...
Friday, March 11, 2011

La Stupenda

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A vast crowd besieged Westminster Abbey on February 15 for a service of thanksgiving for the life of Dame Joan Sutherland, La Stupenda . Rec...

COLISEUM PARSIFAL

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TOMLINSON A GREAT GURNEMANZ Nikolaus Lehndorff's production of Wagner's Tristan , twice at Glyndebourne, was such a highlight, winni...
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Music on the mind

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Like most people, I suppose, I get tunes on the brain, usually for a short time. Unusually, however, I have had one tune on the brain for ov...

Lennox and Freda

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Tony Scotland has written a whopper of a biography of Lennox and Freda (Berkeley of that ilk). What makes it so expansive (575 pp) and exp...
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Sunday, February 20, 2011

LUCREZIA BORGIA

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Pope's Daughter loves son Difficult not to raise an eyebrow or two when the name of Lucrezia Borgia comes up, recalling naughty things: ...
Wednesday, February 16, 2011

NOT JUST ONE FINE DAY BUT TWO

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PIERS AND WITHOUT PEERS Piers Lane is surely at the zenith of his career. The Australian is an artist and a virtuoso as well, provides all t...

TAKACS SUPREME

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The next day in the Queen's Elizabeth Hall the Takacs, resident string quartet on the South Bank, gave one of their regular concerts in ...
Thursday, January 27, 2011

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AN ANCIENT MARRINER RETURNS Forty, fifty years ago, Neville Marriner and his Academy of St. Martin's were a constant on our musical scen...
Friday, December 31, 2010

ALL OR NOTHING

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Aimez-vous Prokofiev? Reader, do you find nowadays that some folk like everything that the famous composers write, a blanket hurrah for ever...
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TANNHÄUSER

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A Tenor Chairman Wagner tinkered with Tannhäuser after its premiere in 1845, making a new version in 1861 with subsequent emendations as lat...

GOLDEN OLDIE PIANIST

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Since Shura Cherkassky frisked about the keyboard in his eighties we are used to golden oldies and we hear that Methusaleh has booked the Wi...

THE NELSONS TOUCH

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A Hero’s Baton The programme of the Philharmonia’s concert in the Festival Hall, December 9, looked as if it was put together by a committee...

ENGLISH CHAMBER ORCHESTRA

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It was born the Goldsborough Orchestra in 1948 and re-christened the English Chamber Orchestra in 1960; the finest hours of its distinguishe...
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LEON MCCAULEY

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A Fine Piano Recital It is always a particular pleasure when an artist one has watched growing, achieves mastery. I knew Leon McCauley firs...

ADRIANA LECOUVREUR

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A Fringe Benefit Returns Cilea’s 1904 opera Adriana Lecouvreur was seen again 22 November, forsaking her 18th century Comédie Française sta...
Monday, November 29, 2010

WEXFORD FESTIVAL - 2010

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Operatic Rarities One for the head, one for the heart and one for fun seems to have been the watch word for Wexford for the last few decades...
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TAKÁS QUARTET

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Bliss was it Some like concerts by orchestra, some choral, others opera but for many of us a good concert by a string quartet is our idea of...
Monday, November 15, 2010

POOR DON GIOVANNI

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It is usually a sinister portent when there is stage business during the overture. So it proved on November 6, London Coliseum, for English ...

SIR CHARLES MACKERRAS

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A Conductor for All Seasons Charles Mackerras was a conductor for all seasons, certainly for four centuries of music, his range was extraord...
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About Me

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John Amis
Six weeks in a bank was enough for him to decide to live by and with music. Selling records and writing about them for a high-class gramophone shop, working with London Philharmonic, Symphony and Royal Philharmonic, organising concerts for Myra Hess at the National Gallery and for Michael Tippett whose secretary-dogsbody and friend he was, concert manager for Beecham, music critic for The Scotsman, organiser of the Summer School of Music with William Glock at Bryanston and Dartington for 34 years, broadcaster on radio and TV for 40, during which time he interviewed some 500 of the most famous and interesting musicians, Hindemith to Bernstein, Cage to Swann, Stravinsky to Stockhausen. He has narrated parts in Façade, Peter and the Wolf, Enoch Arden and Babar the Elephant. For his 70th birthday made a CD with friends Leslie Howard, Steve Race, Malcolm Arnold, Donald Swann, Jeffrey Tate and Ian Wallace. His books include an autobiography Amiscellany, an anthology Words about Music and My Life in Music 1945 – 2000, A Photographer at the Aldeburgh Festival (Nigel Luckhurst) and Musicians on Camera (Lelia Goehr).
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