John Amis online

Friday, August 26, 2011

DON PASQUALE STILL A HIT

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Which composer would be more insulted by the suggestion that Donizetti was the Lloyd Webber of his day? For in 1840s the Italian composer ha...
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Wednesday, August 03, 2011

BOHEME SHOREDITCH STYLE

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The scene is a big, high, bricked, L-shaped space. The printed programme doesn't give the venue a name it but it is in the middle of Sh...
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GARSINGTON MOVES HOUSE

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Yes, as you probably heard by now, the owners of Garsington wanted their house back, so the opera had to move and is now opera ting on the G...

CENDRILLON

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Massenet's Fairy Story Jules Massenet held sway in France during the latter half of the nineteenth century, Cendrillion , saw the light ...

WHITHER ALDEBURGH

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The programmes at the Aldeburgh Festival this year (June 10 – 26) were noticeably better and more interesting than the previous two. However...
Tuesday, July 05, 2011

Robert Tear and John Amis 2010

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The late Robert Tear, a wonderful tenor, and sad loss to the music world.

Festival 2011

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Before Aldeburgh a visit to neighbouring Norfolk, beyond the small town of Beccles , three miles up a dirt road into Toft Monks where is a g...
Monday, June 20, 2011

Ravel in Spain and Brum

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Maurice Ravel was born within spitting distance of Spain in Ciboure, a seaside village. His mother was a Basque and his Muse frequently cros...
Saturday, April 23, 2011

RAVEL

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Roger Nicholls Yale, 430 pp Our foremost expert on French music in general and Ravel in particular, here has written a third book on the com...
Friday, March 11, 2011

La Stupenda

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A vast crowd besieged Westminster Abbey on February 15 for a service of thanksgiving for the life of Dame Joan Sutherland, La Stupenda . Rec...

COLISEUM PARSIFAL

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TOMLINSON A GREAT GURNEMANZ Nikolaus Lehndorff's production of Wagner's Tristan , twice at Glyndebourne, was such a highlight, winni...
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Music on the mind

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Like most people, I suppose, I get tunes on the brain, usually for a short time. Unusually, however, I have had one tune on the brain for ov...

Lennox and Freda

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Tony Scotland has written a whopper of a biography of Lennox and Freda (Berkeley of that ilk). What makes it so expansive (575 pp) and exp...
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Sunday, February 20, 2011

LUCREZIA BORGIA

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Pope's Daughter loves son Difficult not to raise an eyebrow or two when the name of Lucrezia Borgia comes up, recalling naughty things: ...
Wednesday, February 16, 2011

NOT JUST ONE FINE DAY BUT TWO

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PIERS AND WITHOUT PEERS Piers Lane is surely at the zenith of his career. The Australian is an artist and a virtuoso as well, provides all t...

TAKACS SUPREME

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The next day in the Queen's Elizabeth Hall the Takacs, resident string quartet on the South Bank, gave one of their regular concerts in ...
Thursday, January 27, 2011

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AN ANCIENT MARRINER RETURNS Forty, fifty years ago, Neville Marriner and his Academy of St. Martin's were a constant on our musical scen...
Friday, December 31, 2010

ALL OR NOTHING

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Aimez-vous Prokofiev? Reader, do you find nowadays that some folk like everything that the famous composers write, a blanket hurrah for ever...
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TANNHÄUSER

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A Tenor Chairman Wagner tinkered with Tannhäuser after its premiere in 1845, making a new version in 1861 with subsequent emendations as lat...

GOLDEN OLDIE PIANIST

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Since Shura Cherkassky frisked about the keyboard in his eighties we are used to golden oldies and we hear that Methusaleh has booked the Wi...
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John Amis
Six weeks in a bank was enough for him to decide to live by and with music. Selling records and writing about them for a high-class gramophone shop, working with London Philharmonic, Symphony and Royal Philharmonic, organising concerts for Myra Hess at the National Gallery and for Michael Tippett whose secretary-dogsbody and friend he was, concert manager for Beecham, music critic for The Scotsman, organiser of the Summer School of Music with William Glock at Bryanston and Dartington for 34 years, broadcaster on radio and TV for 40, during which time he interviewed some 500 of the most famous and interesting musicians, Hindemith to Bernstein, Cage to Swann, Stravinsky to Stockhausen. He has narrated parts in Façade, Peter and the Wolf, Enoch Arden and Babar the Elephant. For his 70th birthday made a CD with friends Leslie Howard, Steve Race, Malcolm Arnold, Donald Swann, Jeffrey Tate and Ian Wallace. His books include an autobiography Amiscellany, an anthology Words about Music and My Life in Music 1945 – 2000, A Photographer at the Aldeburgh Festival (Nigel Luckhurst) and Musicians on Camera (Lelia Goehr).
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