John Amis online

Thursday, April 11, 2013

Lutoslawski Festival

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A Modern Master A cellist sits down and begins to play, not a tune but a pulse, steady, as if going for a walk (orchestra tacet). Sol...

George Benjamin's New Opera

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A Cardboard Turkey? Opera houses feel, quite rightly, that they are in duty bound to mount new works; if they didn't they would n...
1 comment:

Zeitgeist

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Down-Dating in Art Literally Zeitgeist means 'time-ghost' but it has come to signify the expression of a period of time. Art...

Onegin in Barn

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In the depths of the Hampshire countryside is a wapping great barn with a V-shaped roof, partly brick-walled. It seats about two hundred, ...

West Side Story

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Bernstein in Clink Just beyond Devizes in Wiltshire there was a sign with the word OPERA written large. This targeted the venue of a ...

Youth at the Helm

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A Cracking Good Concert The playing of student and youth orchestras took a vast step forward when advisers and administrators realised ...
Sunday, February 24, 2013

Aglaia Graf

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Swiss Pianist Good pianist, interesting programme. Swiss, daughter of veteran pianist. Peter Lukas-Graf. Venue, Swiss Church in Endel...

Jayson Gillham

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One of the pleasures of being a critic is that you sometimes spot a tremendous talent before it becomes known to the public at large: in my ...
1 comment:
Saturday, February 02, 2013

OLD GUARD, NEWER GUARD: THE REST IS NOISE

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Curious that the conductors Monteux and Toscanini who gave fine performances of the Enigma Variations did not subsequently tackle Elgar'...
Thursday, January 10, 2013

Benjamin Britten - Musician and Man

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In a sense, Benjamin Britten was a composer three times over: the genius who wrote the notes, the pianist who played as only a composer ...

Amis Anecdotage

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Running parallel with the length of the main BBC studios in Maida Vale there is a narrow passage. One day the brilliant young percussion...
Monday, November 05, 2012

Conductors

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"Mummy, who is that man standing in front of the orchestra having a public fit"? And how important is what we see the man on t...
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Julietta

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Brilliant Production I have long considered the six symphonies of Martin ů to be neglected masterpieces and would prefer to salute his m...

Jennifer Vyvyan Remembered

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As we know, Benjamin Britten composed with favourite artists in mind, singers especially. Naturally, Peter Pears had the lion's share ...
Thursday, September 20, 2012

Australia's Best

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Tognetti Still Going Strong Once upon a time string orchestras were thick on the ground here: there was Boyd Neel, Reginald Jacques, ...

LEIPZIG GEWANDHAUS ORCHESTRA

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Messiaen and Mahler It has been Deutschland Ü ber Alles this week at the Proms. Two evenings with the Berlin Phil and on Sunday (Sept...
Thursday, September 06, 2012

Gloria In Excelcis and Provence

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There is a Brit lady called Pippa Pavlik and she organizes a festival of concerts called Musique Cordiale in the NW of Var; itself a part o...

Bernstein's Mass

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What a mixture were the life and works of Leonard Bernstein! Conductor –composer, 'straight' music – popular, homosexual – hetero. f...

Ivor Novello at the Proms

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What would Harry Wood have said at the news that Ivor Novello's Lilacs were to be gathered during a whole Promenade concert in the Roy...

Sandor Vegh Remembered

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Prussia Cove Chamber Music The International Musicians Seminar, Prussia Cove, gave a concert on 21 July in the Wigmore Hall to celebrate ...
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About Me

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John Amis
Six weeks in a bank was enough for him to decide to live by and with music. Selling records and writing about them for a high-class gramophone shop, working with London Philharmonic, Symphony and Royal Philharmonic, organising concerts for Myra Hess at the National Gallery and for Michael Tippett whose secretary-dogsbody and friend he was, concert manager for Beecham, music critic for The Scotsman, organiser of the Summer School of Music with William Glock at Bryanston and Dartington for 34 years, broadcaster on radio and TV for 40, during which time he interviewed some 500 of the most famous and interesting musicians, Hindemith to Bernstein, Cage to Swann, Stravinsky to Stockhausen. He has narrated parts in Façade, Peter and the Wolf, Enoch Arden and Babar the Elephant. For his 70th birthday made a CD with friends Leslie Howard, Steve Race, Malcolm Arnold, Donald Swann, Jeffrey Tate and Ian Wallace. His books include an autobiography Amiscellany, an anthology Words about Music and My Life in Music 1945 – 2000, A Photographer at the Aldeburgh Festival (Nigel Luckhurst) and Musicians on Camera (Lelia Goehr).
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