The International Musicians Seminar, Prussia Cove, gave a
concert on 21 July in the Wigmore Hall to celebrate its 40th
Anniversary in the same year as the centenary of its founder, Sandor Vegh.
Vegh was a violinist, great and important, leader of the
famous Vegh String quartet who concertized here and worldwide in the forties
and fifties, making recorded cycles of Beethoven's late quartets and Bartok's
that are still among the very best available. Vegh was also a great teacher
and, in later years he became known as a conductor of eminence.
Vegh started giving master-classes at the Summer School at
Dartington in the fifties, later at Prussia Cove in Cornwall where annually
were given two courses, one for string players and one for chamber music. They
have continued to this year, guided by two prominent Vegh followers, Andras
Schiff and Steven Isserlis (the latter now the director.)
What was special about the musicianship of Sandor Vegh?
Well, his playing had authority, profundity and technical ability but he also
had an extra-special feeling for fantasy and colour. He felt that too many
musicians connected too strongly only with the printed page. The greatest
performers always give the impression that they have also spent long hours
improvising so that they have developed a sensory relationship with their
instrument that they could never have got if they only ever played from printed
notes. Vegh's feeling for the different colours and textures available on his
violin set him apart. He would change the sound colour not for the sake of
changing it, but in order to illuminate the music. He also could seem to add to
the violin the character of the voice and the dance. The shape and sounds of
what he played were conjured out of his brain, his experience and his
intuition. Because of this he was able to teach and impart to his pupils. And
the memory of his teaching is what his followers impart to those who come
nowadays to Prussia Cove. And each year his students past and present make
tours which include a Wigmore Hall concert. It was an evening on July 21 of
momentous playing after a day of teaching. Thirteen distinguished players took
part in outstanding performances of the G minor string quintet of Mozart, Contrasts
by Bartok, for clarinet, violin and piano, ending with the Piano Quintet by
Schumann.
The majority of the names of the players might not be known
to the majority of Mus. Op. readers (except for that of Steven Isserliss
on cello and perhaps Katherine Gowers the violinist) and it might be invidious
to mention names but the players represented the cream of chamber music players
working in Britain.
They were all worthy to be
taking part in these peaks of the chamber music repertoire; it was an evening
of great music making, Prussia Cove at its usual best, keeping alive
remembrance of the great Sandor Vegh.
No comments:
Post a Comment